Saxophonist | Arranger | Composer | Educator
Jordan VanHemert is a Korean American saxophonist, composer, and bandleader working in the contemporary post-bop tradition. An active international touring artist, he has performed throughout the United States, Europe, and Asia — including frequent appearances in South Korea — at venues such as Dazzle in Denver, Cliff Bell’s in Detroit, and The Blue Llama in Ann Arbor. His recent recordings and touring have brought him into collaboration with leading figures in modern jazz including Terell Stafford, Michael Dease, Helen Sung, Rodney Whitaker, and Lewis Nash.
Work with Jordan
Discography
Recording has been a central part of Jordan VanHemert's artistic journey, serving as both a creative outlet and a means of preserving music for future generations. As a bandleader, he has released a growing catalog of acclaimed recordings, including I Am Not A Virus (2021), Nomad (2022), Metamorphosis (2023), Deep in the Soil (2024), and Survival of the Fittest (2025), with a new album scheduled for release in 2027. Each project captures a distinct chapter in his evolution as a saxophonist, composer, and storyteller, exploring themes of identity, resilience, cultural heritage, and human connection through the lens of contemporary jazz.
Collaborations
Jordan VanHemert’s collaborative and ensemble work reflects a wide ranging performance practice that spans duo settings, large jazz ensembles, and culturally rooted programming. Since 2025, he has performed regularly with guitarist Jocelyn Gould in duo and co-led configurations, blending melodic saxophone and guitar-driven jazz rooted in their shared Michigan university background while also engaging audiences as educators. His work with big bands extends his compositions into large ensemble settings, featuring tailored arrangements of music from his discography performed with university and high school jazz ensembles, highlighting the adaptability of his modern jazz language within the jazz tradition.
Visit the Shop
Survival of the Fittest is made up of music that I wrote during a difficult time in my life. I created this project as a reminder that difficult times do not define us. As the Japanese proverb says, “Fall seven times, stand up eight.”
Survival of the Fittest Track Listing
Here and Now by Jordan VanHemert
Tread Lightly by Jordan VanHemert
Mourning Comes Again by Jordan VanHemert
Softly as in a Morning Sunrise by Sigmund Romberg arr. By Jordan VanHemert
Sea of Tranquility by Jordan VanHemert
Come Sunday by Duke Ellington arr. By Jordan VanHemert
Milyang Arirang Korean Traditional Arr. Jordan VanHemert
Mo’s Blues by Wyatt Harris
Survival of the Fittest by Jordan VanHemert
PERSONNEL:
Jordan VanHemert, saxophone
Terell Stafford, trumpet
Michael Dease, trombone
Helen Sung, piano
Rodney Whitaker, bass
Lewis Nash, drums
PRODUCTION INFO:
Produced by Michael Dease
Recorded, mixed & mastered by Corey DeRushia at Troubadour Recording Studios, East Lansing, MI
Production Assistant: Andrew Kim
Album Art by Nico Lee
Liner notes by Gary Fukushima
Cover design & layout by John Bishop
Jordan’s Set Up
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Selmer Supreme 92DL Alto Saxophone
Vandoren V16 Mouthpiece (A7S+ Tip Opening)
Vandoren M|O Ligature (Pink Gold Plated)
Vandoren ZZ reeds (strength 3)
Meridian Winds Heavy mass ergonomic neck screw
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Selmer Series III Soprano Saxophone
Vandoren V16 mouthpiece (S7 tip opening)
Vandoren M|O Ligature
Vandoren Java Red reeds (Strength 3)
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Selmer Mark VI tenor saxophone
KB Vanguard copper neck
Vandoren V16 metal mouthpiece
Vandoren Optimum ligature
Vandoren ZZ reeds (Strength 3)
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Trevor James silver flute
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Noblet Paris clarinet
Vandoren BD5 mouthpiece
Vandoren 56 Rue Lepic reeds (strength 3)
“Unsurprisingly the most endearing tunes are the collection of duets, as he goes mano a mano with Nash on the feisty "Softly As In A Morning Sunrise", " graceful with Sung on "Sea Of Tranquility" and gloriously flickering like a church candle on " Come Sunday".”
—George W. Harris - JazzWeekly
“A favorite track for saxophone and rhythm follows its wise counsel: "Tread Lightly" wherein Nash delivers a master class in brushwork artistry, his feathery filigree and "think-you-can-lick-it?" wit filling stop-time theme and solo breaks—a playful, wink-wink nod to the emblematic genius of Thad Jones.”
—Fred Bouchard - NYC Jazz Record
“Throughout Survival Of The Fittest, Jordan VanHemert shows that music can help overcome adversity. The result is a satisfying album.”
—Scott Yanow - LA Jazz Scene

