Bio

“Jordan has a powerful voice on saxophone, finding his voice through the study of jazz and its tradition, yet telling his story through the lens of his Korean cultural traditions.”

Jordan VanHemert

Jordan VanHemert is a Korean American saxophonist, composer, and bandleader working in the contemporary post-bop tradition. An active international touring artist, he has performed throughout the United States, Europe, and Asia — including frequent appearances in South Korea — at venues such as Dazzle in Denver, Cliff Bell’s in Detroit, and The Blue Llama in Ann Arbor. His recent recordings and touring have brought him into collaboration with leading figures in modern jazz including Terell Stafford, Michael Dease, Helen Sung, Rodney Whitaker, and Lewis Nash.

VanHemert’s music has earned sustained international recognition. Japan’s The Walkers praised a recent album as “the musical expression of what it means to be alive,” while MMJazz Korea described him as “another rising star at a time when the number of Korean jazz musicians is rising.” In the United States, JazzTimes editor-in-chief David R. Adler has highlighted his “authoritative sound” and “penetrating musical intelligence,” and longtime collaborator Rodney Whitaker calls him “a powerful voice on saxophone… telling his story through the lens of his Korean cultural traditions.”

Born in South Korea and raised in Michigan, VanHemert discovered jazz through Charlie Parker recordings from his late grandfather’s collection, later immersing himself in the alto lineage of Parker, Cannonball Adderley, and Kenny Garrett alongside tenor influences including Dexter Gordon, Sonny Rollins, John Coltrane, and Joe Henderson. He studied at Central Michigan University, the University of Michigan, and the University of Illinois, earning a doctorate under Chip McNeill and Ronald Bridgewater. Now an educator and clinician as well as a performer, he serves as Director of Jazz Studies at Northeastern State University in Oklahoma and is active in national arts-equity initiatives. He is also a Vandoren Artist-Clinician, Selmer Paris Performing Artist, and KeyLeaves endorser.

His recorded catalog traces an evolving artistic and personal narrative: the socially conscious debut I Am Not a Virus(2021); the folk-influenced Nomad; the introspective Metamorphosis; and the straight-ahead post-bop statement Deep in the Soil (2024), followed by Survival of the Fittest, which returned him to the tenor saxophone and deeper original composition. Across these projects, VanHemert seeks to unite the depth of the jazz tradition with the breadth of his cultural and lived experience — a philosophy he summarizes simply: “We live our best lives as musicians when we bring all of ourselves to the art form.”

What They’re Saying

“An authoritative sound, a refined bandleader instinct and penetrating musical intelligence at work.”

David R. Adler

“The craft is tight, the feeling is refreshing, the sound is quick and precise, and the gestalt brings the individual voices of the musicians into group form.”

— Robin James, All About Jazz

“Creative, grounded, and strikingly passionate.”

Jazzsensibilities.com

“[The music’s] reflective nature seams to speak in healing and optimistic terms.”

C. Andrew Hovan, All About Jazz

Jordan’s Equipment Setups

  • Selmer Supreme 92DL Alto Saxophone

    Vandoren V16 Mouthpiece (A7S+ Tip Opening)

    Vandoren M|O Ligature (Pink Gold Plated)

    Vandoren ZZ reeds (strength 3)

    Meridian Winds Heavy mass ergonomic neck screw

  • Selmer Series III Soprano Saxophone

    Vandoren V16 mouthpiece (S7 tip opening)

    Vandoren M|O Ligature

    Vandoren Java Red reeds (Strength 3)

  • Selmer Mark VI tenor saxophone

    KB Vanguard copper neck

    Vandoren V16 metal mouthpiece

    Vandoren Optimum ligature

    Vandoren ZZ reeds (Strength 3)

  • Trevor James silver flute

  • Noblet Paris clarinet

    Vandoren BD5 mouthpiece

    Vandoren 56 Rue Lepic reeds (strength 3)